Drabblecast Covers Collage 2018 01

Tag: evil

Cover for Drabblecast episode 258, Brown Dust, by Amber Carky

Drabblecast 258 – Brown Dust

Cover for Drabblecast episode 258, Brown Dust, by Amber Carky“Adao, no.”  Teo, the older boy’s second-in-command, lays a staying hand on his master’s arm.  “The stories I told you about this one… they’re true.”
“True?”  Adao casts a skeptic’s eye over Santos.  Can those flimsy ribs cage anything as fugitive as truth?

Cover for Drabblecast episode 181, Funeral Song For a Ventriloquist, by Caroline Parkinson

Drabblecast 181 – Funeral Song for a Ventriloquist

Cover for Drabblecast episode 181, Funeral Song For a Ventriloquist, by Caroline ParkinsonA puppet’s words infect. They taint. They do this without ever sounding like a thing, without the listener realizing they have been spoken. A true ventriloquist, as those who are educated and informed may or may not choose to tell you, is an adept in the art of keeping those mouths shut…

On this episode of Drabblecast, Norm focuses on the bliss of ignorance versus the pain of knowledge. In Drabble news he muses about the fact that (oh no!) scientists have decided that the Triceratops never existed. The feature, narrated by podcast regular Mike Boris, is a new, sinister spin on puppetry. Ventriloquists, it turns out, are the guardians of terrible secretes tasked with preventing their loose-lipped dummies from bringing darkness in to the world.

Cover for Drabblecast 99, Sarah's Window, by Philip Pomphrey

Drabblecast 99 – Sarah’s Window

Cover for Drabblecast 99, Sarah's Window, by Philip PomphreyThe shadow lingered at Sarah’s window, balanced on air, certain to fly away the next step I took.  Another moment and it would be gone.  Another moments and I would call the police, report my daughter missing, and spend the rest of my life convincing myself I’d imagined it…

This episode of the Drabblecast opens an announcement introducing the Drabblecast Archive CDs, featuring episodes 1-79 in a 3 disc set. In the drabble, a sleep-addled God himself cannot (or will not) provide a reason for why the world ended. The feature story, Sarah’s Window, explores the familiar theme of children leaving our world for one of fantasy, with the twist of a distraught parent serving as protagonist. A single father tries to convince a trespassing, morally ambiguous shadow creature to return his apparently kidnapped daughter, Sarah, amid its assertions that it is innocent of wrongdoing since “not all lost things are stolen.” An otherworldly realm seduces with magical delights.

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