Tag: Artist: Jonathan Wilson (Page 1 of 2)
All the young Kirks in Riverside Public High School are assigned to the same Homeroom class. They sit together in the back corner on the far side from the door. They speak only to each other.
The young Kirk on the Moon goes to school with no one. Each of the colonists has a job and he or she is responsible only to the duties of that job. The others call him Fisher instead of James since he spends his days knee deep in the trout pond, allowing the fish to glide between his legs. When the fish become completely inured to his presence, he thrusts his hands into the water and grasps one around the belly. It fights and Fisher holds on. He is supposed to take it out of the water, to throw it into the white bucket by the shore, but Fisher never does. He lets the fish go and when he comes home, with nothing to show for it, his mother expresses her irrevocable disappointment and sends him to bed.
I passed the sign that read Warning: Shark Zone. The sun was setting,
lighting up the tops of the condos sticking out of the water. They had been
swallowed by the swollen ocean, when it spilled over, like everything else:
the skyscrapers, the cars, the fast food joints, the schools and
supermarkets and liquor stores…
Episode Sponsor: You Shall Never Know Security by J.R. Hamantaschen
Norm rewards forum participant Wonko by reading his Drabble about an unwilling exposure to the majesty of nature. Rish Outfield and Big Ankelvitch, narrators of the Dunesteef podcast, assist Norm in telling Thomas Canfield’s story, “Squidges.” In it, an unsuspecting patron of eccentric auto-mechanics learns about the unseen gremlins plaguing cars the world round. Feedback from Frank Key’s surreal sci-fi piece, #90 “Far Far Away,” demonstrates the magnetic qualities of magnetic love monkeys to fans of the Drabblecast.
In Drabble News, Norm congratulates the Harper Collins Dictionary for adding the slang term “meh” (an utterance of indifference). For the Drabble segment, returning author and future editor Matthew Bey (responsible for Drabblecast #58, “Eggs,” among others) allows his strange nocturnal fantasies about pupating locomotives to cross into the listener’s daylight. Next, Norm reads from the work of Frank Key, the British surreal author whose ‘lopsided fiction’ has graced the Drabblecast on numerous occasions, including episode #190. The selection: “The Goat God.” The feature describes the Flying Dutchman space journey of the starship “Corrugated Cardboard,” and the strange transformations of its surviving crew. The crew’s destination: a tiny pink planet where blind, mute, magnetic love monkeys frolic. Do these wonderful mythical creatures even exist, or are they figments of the unreliable narrator’s imagination? Finally, Norm reads from the positive feedback heaped by readers upon Episode #86, “Half Sneeze Johnny.”
“Just one thing,” I said, nodding towards the cheesecake. “How do you do it?”
Norm Sherman gives us more of the Mega-Beast Death-Match. The Drabbles for this episode depict lawn ornament assassins and a man’s true form. The feature story describes the horrible price others pay for your health foods. Feedback from “Witchcraft in the Harem” by Aliya Whiteley (Episode 74) and episode 75’s Trifecta IV.
“So, where do you get your ideas?” he asked.
“I get my ideas from thinking about things.”
“Like this panel.”
In this episode of the Drabblecast, we listen in on a convention panel sidetracked by the Sci-Fi version of “Guess Who’s Coming for Dinner?” The Bbardle is a hard rock tale of a geeky, sexy lady-stalker, the “Cougar at the Con.”
Page 1 of 2