I mean I’m a fan of the band rather than a fan of the concept. Although, hey, what’s not to like about the idea of being no longer subject to torture over the fires of greed, hatred and delusion? Free from all suffering – yes, that sounds pretty good. But if I really wanted to free of everything that makes us human then I probably wouldn’t dig bands like Nirvana any more, and that would be bad. Then I wouldn’t be me any more.
Category: Drama Page 2 of 7
The energy and personality of a person can get stuck before it evaporates from our world. Wood is a fair dumping ground. Something about its pore size and how cellulose vibrates. A person can get himself pasted inside the wall or the floorboards. The body and brain quit, but the rest of the bastard lingers, and that’s the weird quantum trickery that for thousands of years people have called a ghost…
Jeff Soesbe, graduate of The Viable Paradise Workshop, gives us a tender feature about a family of the future, and a unique robot with a special purpose. In Drabble News, Norm Sherman makes all the men jealous with the tale of a sexual powerhouse: a prolific, philandering Guinea Pig! Norm tells us more about the Mega-Beast Death-Match. Feedback is for Episode #70 “Reality Bites!” and Episode #71 “Perfect Down Further.”
Glum weather in Baltimore inspires Norm to treat us all to a pair of melancholy stories. In Shane Shennen’s Drabble, “Ancient Apple Tree,” the passing of an old, faithful robot is mourned by nary an organic eye. Next, accomplished writer Mike Resnick (who appears in Drabblecast #67, “Malish,” and #102 “The Last Dog”) bases a sad tale of attrition and mourning on the traditional song “Old Blue.” Accompanied by Norm’s gentle rendition of the song, the story describes the mutual loyalty of a hermit and his canine companion in a harsh season. A grateful Norm confesses to his love of dogs after the song and story conclude. This is followed by feedback for Episodes #88 (“The Toys of Peace”) and #89 (“Starry Night”), which is generally positive.
After a year in San Francisco, my legs grew strong again. A hill and a half lay between the bookstore where I found work and the apartment I shared with the Kotos. Every morning and evening I walked, breathing mist and rain into my desert-scarred lungs, and every morning the walk was a little easier. Even at the beginning, when my feet ached all day from the unaccustomed strain, it was a hill and a half that I hadn’t been permitted for seventeen years.
On this episode of the Drabblecast, a dark tale from favorite author Eugie Foster. A troubled youth, a view in to his chaotic mind, and deeply effected life. Shake hands with the wiggly people!
Tompkins sighed. “What happens is this: You pay me
my fee. I give you an injection which knocks you out. Then, with the aid of certain gadgets which I have in the back of the store, I liberate your mind…”
This episode of Drabblecast starts with Norm recommending and playing an excerpt from Frank Key’s story anthology. In the feature we learn about Mr. Wayne, a man who visits the store of the world in order to discover his deepest desire. Is it simply an escape from a post-apocalyptic world, or is it something more?
The day she left we forgot to take out the trash. At five-thirty in the morning, I heard the city trucks lumbering down the street with their mechanical, prehensile arms and remembered that we had forgotten to take out the trash. I didn’t care though. I knew that in a few hours I would help load the last of her boxes into the truck, and she would leave. Everything was expanding without me, and I felt like the room was growing until I was lost in and filled with its great, grey nothing.
John was born with powers and abilities far beyond those of mortal men, and he often wondered why. But as a boy, it was simply wonderful to have those abilities. He could lift his father’s tractor overhead before he learned to read. He could outrace a galloping horse. He couldn’t be cut or bruised or burned. He could fly…
“Get out of sight, Joe.” He hustled into the shop and locked himself in the bathroom. The first cruiser that pulled up had Frank Boone riding shotgun. Less than a minute later, the sidewalk was swarming with cops.
When me and Joe got home from Vietnam, we went into business together, cutting hair. Bought a little shop in the old neighborhood and been there ever since. Back then, wisecracking Harlem barbers weren’t a cliche yet — at least not south of 110th Street.
I nestle the video camera on its makeshift tripod, carefully centering my daughter’s image. She tucks her hair behind her ear and gives a strained smile. She is sixteen, and that hair is long and golden–kissed light brown and straight; she has the gangly grace only teenagers have, that sleek gazelle form. She is wearing khaki shorts and a striped tank top, and the bite mark on her arm is already putrefying.
I spent last summer crawling through The Big Thicket with cameras and tape recorder, photographing and taping two of the last ivory-billed woodpeckers on the earth. You can see the films at your local Audubon Society showroom. This year I wanted something just as flashy but a little less taxing.
Perhaps a population study on the Bermuda cahow, or the New Zealand takahe. A month or so in the warm (not hot) sun would do me a world of good. To say nothing of the advance of science. I was idly leafing through Greenway’s Extinct and Vanishing Birds of the World. The city bus was winding its way through the ritzy neighborhoods of Austin, stopping to let off the chicanas, black women, and Vietnamese who tended the kitchens and gardens of the rich.
This week the Drabblecast Presents “Happy Old Year” by Tim Pratt.
Tim is a regular Drabblecast contributor, bringing us such classics as Postapocalypsemas, Rangifer Volans, and fan-favorite Morris and the Machine. He also runs a Patreon page where you can read and download a new, unpublished story from Tim every month for a little as a dollar. Why not check it out?
This year, instead of our usual Tim Pratt Christmas special, we decided to run with a New Years Eve them—something new… and something old. Lots of old. Maybe too much. Because in this story, nostalgia can be a cancer that lasts forever.
The night I met Elsie I was up on the roof of my apartment building with a bottle of Kentucky Gentleman, because it’s sort of like bourbon, but cheaper, and better at blotting out reality. Technically it wasn’t “my” building anymore since I’d been evicted and had to be gone by morning if I didn’t want sheriff’s deputies to dump all my possessions out on the sidewalk. Joke was on them — what possessions? Everything I could sell, I already had, in a vain attempt to keep up with rent. What remained was so crappy I couldn’t even give it away on Craigslist.
IT HAPPENED IN BRYANT PARK, a little after six o’clock in the evening. He was sitting by himself in lamp shadow amongst the trees, at one of the rickety green metal tables along the north side, close to where the Barnes & Noble library area is during the day. He was warmly dressed in nondescript, casual clothing and sipping from a Starbucks in a seasonally red cup, acquired from the outlet on the corner of Sixth, right opposite one of the entrances to the park. He queued, just like any normal person: watching through the window you’d have no idea of who he was, or the power he wielded over this and other neighborhoods.
Ford, the physicist, glanced at General LeRoy. The general had that quizzical expression on his face, the look that meant he was about to do something decisive.
“Would you like to see the problem first-hand?” the general asked, innocently.
The CIA man took a quick look at his wristwatch. “O.K., if it doesn’t take too long. It’s late enough already.”
“It won’t take very long, will it, Ford?” the general said, getting out of his chair.
“Not very long,” Ford agreed. “Only a lifetime.”
My last night of childhood began with a visit home. T’Gatoi’s sister had given us two sterile eggs. T’Gatoi gave one to my mother, brother, and sisters. She insisted that I eat the other one alone. It didn’t matter. There was still enough to leave everyone feeling good. Almost everyone. My mother wouldn’t take any. She sat, watching everyone drifting and dreaming without her. Most of the time she watched me.
It is July 31, your birthday, and I can’t reach you. I’ve been trying all day, but the cell networks are down, the internet is down. I even tried a pay phone–there are two left in town that I know of, and I collected all of my change and walked to the 76 in the village. It was on fire. I watched it for a while from a distance as it painted a brown, toxic streak across the sky. It was a long walk back to the house, or what’s left of it. My feet hurt, and it was too quiet.